mr james bright has been described as one of the top >hip hop folk rockers< and big sounds from small spaces does everything to support that nomination.as a testimony to james talent, his long-time idol, shawn lee (ubiquity records), agreed to appear on the album after hearing some of the early tracks. shawn has provided sound tracks for several hollywood blockbusters, as well as writing dozens of pop-soul hits.

special for djs,14 tracks full 12 inch mixes, alternative traxx & unreleased versions! incl. bob sinclar, martin solveig, sharam & kid cudi, nicola fasano, chris lake, atfc, alex gaudino and many more

includes tracks from: benassi vs.bowie,deadmau5,faithless,the rogue element,alex gophner,tong & spoon,boys noize, john dahlbŠck + digital content! ! top price action !!

kings of jump is thò label of the hard generation in jump & tek. originally from the north of france but very popular in benelux as well. the labels tracks are played by all djs from the jump scene at all major events like bassleader, reverze, tomorrowland, decibel... the artists of the label are invited to play in big clubs (complex, la bush, lagoa, the oh, metroplis) & festivals (defqon, qbase, love parade...). 2 years after the foundation, the label represents all artists with a main influence in the jump scene, like a.o. chicago zone, ronald-v, gave, wordenz, e-max.

the storm is here: the towering thunderheads and piercing sunshine of ambassadors 4 - from amen to z. this fourth installment in the ambassadors compilation series unites a multiplicity of drumnbass styles - high-pressure pop, clouds of old-school jungle, dark cyclones of bass, macro-experiments in climate manipulation. incl. bassface sascha, young ax, simon v, camo, kjell, naibu, concept & shnek, tyler straub, cycom, dan habarnam, paul sg, peyo & grimm, resound, denius, dub tao, hiten, kaleb, nsf, sh1, smote, telmo a, alternate vibes, cold jazz & wezzler und buzz.

in cars we rust is their debut album, and it presents the most complete picture of exercise ones world to date. the dancefloor stormers are still there, and the records flow is guided by the same spirit of improvisation that drives their live sets. but the clubbier material is rounded out by sounds weve never heard from exercise one before: gorgeous, enveloping ambient tracks soundtrack-ready synthesizer ballads even a kind of retro-futurist electro-pop.

recorded over a two-year period with producer jeff saltzman (the killers, the sounds) the album has a depth and complexity rarely found in electronic pop albums. this is perhaps not surprising given itÕs gestation, deliberately designed to stretch their creativity the album was written in its entirety, titles first and in an intimate and very modest way - in a carriage house in brookyln rather than in expensive studios around the globe. stylistically the album is as diverse as it is cohesive. there are electro dance moves on the album but also the swirling electronic psychedelia of amuse bouche full of surprise flavours that enhance your perspective

exile began his musical career in 2000, releasing drum & bass on labels such as beta and moving shadow, but as the years progressed, his sound started to become more complicated and abstract. this was mostly due to his obsession with the reaktor software, which enabled him to spend much of his time creating new and interesting sounds from scratch. his debut full-length, 2006s pro agonist, saw him add elements of breakcore to his constantly mutating yper-breakbeats, but that gradual change in style is nothing compared to the total departure that hes taken on listening tree. long-term fans may be shocked to know that listening tree is peppered with exiles own vocal tracks, as he tackles issues such as britains buy-now-pay-later culture, and even the dynamic nature of the universe on family galaxy, the first single. >family galaxy< is about the constant process of change that underpins everything, explains exile. its a tale from a thingless world where nothing stays the same. as now shines its shifting shades on then, so our ideas of what we have done and will do continually morph.the result is an eccentric electro-pop album that is just as likely to appeal to fans of hot chip as it is otto von schirach

extra life is a new york-based band led by guitarist/ vocalist/ composer charlie looker, a core member of the noise/chamber group zs and collaborator for dirty projectors, john zorn, william parker and john zorn. formed in 2007, extra life combines elements of dark romantic pop a-la bowies berlin period, aggressive math rock a-la slint, modern classical compositions and medieval vocal music, which the album title, secular works, refers to. secular works is without a doubt one of the most unique albums weve ever heard. it is challenging and rewarding, complex but melodic, intellectual but within reach. for fans of xiu xiu, dirty projectors, the dead science and sun city girls.

more trance, more love, more fun, more sex...you can get a hint at what is coming by checking out the two first singles the ballad of tom scraw remixed by the minimal goddess chloe and worst than love with remixes from losoul and gilbert and a juicy cover of iggy pops classic nightclubbing.in the meantime junesex is testing the new album live in france to great public acclaim many tried to sum it up: pop, minimal folk, electro funk, house, rock,acid love, chic sex, bodily fluids only one label fits: junessex!

two years have passed and much has changed since gui boratto shot to prominence with his kompakt debut >chromophobia<. a much needed spot of colour amidst the minimal milieu, guis mixture of fierce production skills and a blissful pop sensibility have characterized his trajectory to the techno heavyweight before us today

back to the roots! gut, besser, boa! diamonds fall ist das neue album von phillip boa und das wohl beste werk in der karriere des deutschen vorzeige indierockers. es fŸhrt das fort, was er einst mit diversen singles of the week im nme begonnen hat: gro§er, bildgewaltiger und lautmalerischer breitband pop rock.

alongside italics great affinity for electronic dance music in its multitude of forms, from techno to house to disco, they have always harboured a love for pop (attitudes), as exemplified by the likes of prefab sprout, steely dan, orange juice, scritti politti, japan, pulp or scott walker. the fourth coloma album is a song cycle with recurring harmonic and rhythmic themes. lyrically, loves recurring dream is a narrative chronicling the phases of a romance, which symbolically runs over the course of a year. in the twelve songs, singer rob taylor follows the progress of the seasons from spring, summer and autumn to winter, with the implicit promise that a new spring will follow. in its entirety, loves recurring dream is a modern concept album featuring classic song writing and bold production, combined to create profound popular music

>immolate yourself< vereint zehn tracks die dem begriff >electro pop< eine neue & zeitgemŠsse definition fŸr 2009 verpassen. obwohl jeder song eine eigene geschichte erzŠhlt ist das album mehr als die summe der teile. grossartig !

bardo states debut album >mariposa< beholds a rare synthesis of classical & pop, an exquisite intersection between ambient & opera.

auf der fabric 43 kommen metro area aus brooklyn mit einer kleinen geschmacksprobe aus ihrem plattenkoffer in dem sich 70er boogie scheiben tummeln nebst feinsten detroit techno brettern. die jungs von environ klingen ein bischen nach techno, pop, house, ein bischen nach 80er disco aber totzdem absolut einzigartig!

zweites album des koelners, der hiermit seine soundstrukturen noch einmal verfeinert und auf besondere weise traditionelle instrumente und gesang mit referenzen zu pop und krautrock auf technobasis verbindet.

nach einer vielzahl von maxis ist endlich mal ein album fŠllig, dass vor allem in frankreich fŸr eine menge aufregung sorgt. dem ursprŸnglichen electro-techno projekt gelingt es mit >tanz< den horizont um house, disco, pop oder rave zu erweitern. vielschichtig & mit charme erschaffen sie ein ravendes fest das uns wieder zum titel bringt: >tanz !<

italic would like to announce antonellis new album soulkiller. it is stefan schwanders aka antonellis 6th album and was produced using analogue drummachines, synthesizers and sequencers only and recorded live without any overdubs onto an old-school tape recorder. the result is amazing: antonellis house music on soulkiller is so incredibly rough and emotional that it reminds of the garage rock from the stooges. and the tracks sound as if esg was doing cover versions of moodymann. moreover, you will find flamboyant pop references, from bohannon to te r ry hall. the first single release taken from this album is the track hamilton and comes in the original version and in a remix version

the sound of rob mac and matt smooth aka jumbonics is something bethween crunchy jazz breaks and bass lines with a little bit of pop and melody!you cant pigeonhole them, but you will like it!